The curge
of diagonals in the middle series is a new component which creates
visual complexity. In the recent series the zig zags are presented
in groups of thick and thin lines rather than singly. Thus it
becomes difficult to say whether the newest series is simpler
or more complex than the earlier ones. This condition is allied
with the artist's philosophical belief, derived from Buddhism,
that enough complexity ultimately resolves into simplicity, that
beyond the constructions of dualistic thing they become one in
the same.
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all
paintings enlarge when clicked
Untitled #A-2,
1974
acrylic on canvas 15" x 63"
Untitled, Summer
1974
108" x 48.5" |
Untitled,
1974
108" x 48.5" |
Untitled, Fall
1974
108" x 72" |
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Untitled,
1975
acrylic on paper, 65.5" x 106"
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Untitled,
1975
acrylic on paper, 60" x 96"
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Untitled, 1975
acrylic on paper, 69" x 126" |
Untitled,
1975
acrylic on paper, 66" x 108"
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Untitled, 1976
acrylic on canvas, 41" x 72" |
Untitled, 1976
acrylic on canvas, 60" x 96" |
Untitled,
1976
acrylic on canvas, 60" x 96"
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No Title—
Blue-Purple, 1976
acrylic on canvas, 18" x 24"
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Untitled, 1976
acrylic on canvas, 90" x 72" |
Untitled,
1976
acrylic on canvas, 90" x 72" |
No Title—
Flesh, 1976
acrylic on canvas, 18" x 42" |
No Title—
Yellow-Green, 1976
acrylic on canvas, 60" x 96" |
Untitled, 1976
acrylic on canvas, 41" x 72" |
Untitled,
1976
acrylic on canvas |
Untitled,
1976
acrylic on canvas, 41" x 72" |
Untitled,
1976
acrylic on canvas, 41" x 72" |
Untitled,
1976
acrylic on canvas, 66" x 114" |
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